Um aus diesem Karussell zu navigieren, benutzen Sie bitte Ihre berschrift-Tastenkombination, um zur nchsten oder vorherigen berschrift zu navigieren.This album includes twenty-three new songs, one of which is a duet with Chimne Badi, Le chant des hommes (The Song of Men).Please help improve it or discuss these issues on the talk page.Learn how and when to remove these template messages ).
Please do not remove this message until conditions to do so are met. October 2014 ) ( Learn how and when to remove this template message ). Please remove or replace such wording and instead of making proclamations about a subjects importance, use facts and attribution to demonstrate that importance. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. Find sources: Michel Sardou news newspapers books scholar JSTOR ( October 2014 ) ( Learn how and when to remove this template message ). Such statements should be clarified or removed. October 2014 ). He has been accused of being a racist due to his 1976 song Le temps des colonies, in which a former colonial soldier proudly tells his memories of colonialism, but Sardou has always claimed the song was sarcastic. His 1981 single Les lacs du Connemara was an international hit (especially in the Netherlands ). A number of his hit songs were written in collaboration with Jacques Revaux and Pierre Delano, a few others (most notably En chantant) with Italian singer Toto Cutugno. With a recording career of fifty years, Sardou has released 25 studio albums, 18 live albums and has recorded more than 350 songs (chiefly in French but also in Spanish, Italian and even English) and has sold more than 100 million records. Currently he is considered as one of the most popular artists in the Francophone world and one of the most lucrative, both in sales and in his shows. In 1965, Sardou began his recording career with Le madras, co-written with Michel Fugain and Patrice Laffont. This gave the singer a new notoriety, and the song let him lay the foundations for his future artistic style. However, from 1967 to 1970, he still found it difficult to have big hits. So, he founded the record label Trma 4 (which stands for Talar Revaux ditions Musicales Associes ), which would produce his records, with his friends Jacques Revaux (who will become his most loyal composer) and Rgis Talar, a French record producer. ![]() However, this last song triggered a controversy as Sardou takes the role of a man who, tired of his monotonous daily routine, drunkenly expresses his brutal fantasies (of robbing a bank and raping women), but never acts on them. The first single from it, Le France (SS France), released on November 1975, was a message of indignation addressed to the President of France Valry Giscard dEstaing, who had just sold the ocean liner SS France. The controversial song was welcomed by the trade unions and the Communist Party even though Sardou was seen, because of several other songs, as an archetypal reactionary singer. Even after the album was a real triumph (more than a million copies sold), other extracts, like Jaccuse (I charge men of.) or Le temps des colonies (The Days of Empire) are about a singer who defends old conservative values. He was even accused of being a racist and an apologist for colonialism, but he has always insisted that the song is written in character rather than being an expression of his own views. The song Je suis pour. ![]() In the wake of this, and other political positions expressed by him, Anti-Sardou campaigns were started; their demonstrations regularly disrupted the singers tours, although other left-wingers felt that Sardou was entitled to his freedom of speech. The album was a huge success, exactly like the next Je vole (1978), which gave him one of his biggest hits, En chantant (Singing), written together with the Italian singer Toto Cutugno. He also holds the record of attendances and performances for this stadium.
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